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Making of the Wallhanging “Snow Field”
25 steps of a batik, from a sketch to the final piece. Gives an impression of one way that batik can be done.
 | 1. Colour sketch on paper. |
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2. Pencil drawing on white cotton with (brownish) wax on cloud and line of horizon of field. |
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3. The sky area painted with clear water then orange dye added. |
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4. Pots of dye. |
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5. Notice the way the waxed cloud resists the orange dye. Blending colour with water. (Notice dye has leaked through small gaps in the waxed line which produces strange fan shapes which will eventually disappear.) |
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6. After the dye has dried, painting wax onto some of the sky colours, carefully using a canting (wax pen) to surround thistle shapes. |
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7. Immersing the whole piece into a blue dye bath. |
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8. The previously waxed colours have remained along with the white cloud. The blue has combined with the sky colours where no wax protects them. The rest is blue which will dry to a paler blue. |
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9. The pale blue, now dry, has been painted with wax where it will remain this colour. The darker blue only appears darker. The unwaxed blue will change colour on the next dip. |
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10. A pale rust-orange is used to dye the whole piece, producing a brown which will be lighter when dry. |
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11. Now dry. |
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12. Wax over some of the pale brown, to retain it. |
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13. A turquoise-blue dye producing a grey-blue darkens the brown, except areas protected by wax. |
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14. The last few unwaxed areas in the sky are now darker. The “old” wax has cracked allowing the dye to seep in, producing a cobweb-like pattern or “crackle” of hair-lines. To keep the sky subtle and to prevent the lines going any darker, more wax is painted over the old. (The extra layer of wax is deceptively brown). |
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15. Grey-blue tracks across snow field are painted with wax to protect them from going any darker. |
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16. And more shapes in the foreground and the field area are deliberately cracked to allow the next colour to produce yellow crackle. |
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17. The batik is soaking in a strong yellowish-brown dye bath, a difficult colour which will have a tendency to turn green, the brownish element counteracts this. |
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18. The grey has turned to brown. |
19. Wax is added to keep some of the deeper tones of brown.
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20. Immersing the batik in very dark green dye. |
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21. The dark grey that has resulted allows the foreground and distant hedge-line to be blocked out with wax. |
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22. The only unwaxed areas remaining are the trees and thistle shapes. Final dip is dark purple-blue. |
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23. After drying and rinsing, the wax is ironed out between sheets of newsprint to reveal the design. |
24. The piece is then dry-cleaned, hand washed and mounted on a frame.

25. Completed design of “Snow Field”.
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